Exhauster Interview

Interviews, Uncategorized
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Emerging South London-based Artist, Exhauster

We can’t keep it to ourselves when we discover artists we love, and this week we’re delighted to share with you an emerging artist, Exhauster. We caught up with the mastermind behind the project, Elliot, to discuss his latest single: ‘Stay Out’, a glimpse into his musical background and his attraction to the disparate elements of music.

Having been involved in many previous projects, the South London-based artist (via the US and Yorkshire) now finds himself in his first foray into singing and arranging his own songs. “I have been in bands as a drummer and general tradesman for ages but I started writing material for myself over the last couple of years which got some nice reactions from friends, so decided to keep going with it. My initial plan was to surround myself with sublime voices to paper over any cracks and we just kept papering on sounds until it became Exhauster.”

Speaking of his latest single, he reveals how it changed direction entirely, organically, for the better. “It was originally supposed to be a pretty relaxed, motorik little ditty, but somewhere down the line it started to get really frenetic and I’m still not 100% sure how the ending happened. We were originally only going to use some subtle drum machines, but I played around with the track in the studio when we were recording something else and accidentally recorded the drum parts”. Elliot goes on to jest: “I like assembling music in a kinda patchwork way. Actually I can only assemble music in a patchwork way.”

Just as we begin to speak of influences it becomes apparent that the style of his musical legends match that of where he wants to be with Exhauster. The ways boundaries of electronic and organic elements are pushed together in “really beautiful ways. I also love music that is obviously tooled to make disparate elements fit. You’re going to get a lot of that with Exhauster. We’re ultimately trying for something ecstatic, even if it’s a little sad.”

When tasked with the question of influences, Elliot intelligently lists many obscure almost esoteric bands, so niche, we love it! “Recently I have had the latest Serengeti album on repeat, which was produced by Andrew Broder from Fog, who are one of my favourite bands. The Daniel Brandt album “Eternal Something” that was released last month is also amazing. I’ve been really enjoying the latest album from the Declining Winter too.”

Keen to know when we might expect an EP to drop, satisfyingly it’s all recorded and he will be sharing things regularly every few weeks over the coming months, plus live dates are coming soon. “We have the personnel and I’m remembering how to play drums and guitar in front of people again. I’m really looking forward to that.”

The EP was produced by the multi-talented Nick Trepka (Emmy The Great) who, as he beams has “known and loved since we were very young lads. He brings much needed musicianship and discipline to the process. He is also useful in that he knows when I’m being objectionably out of tune. We have a lot of fun”. Nick, also plays guitars, bass and keys and sings backing vocals alongside, he adds, “another producer and musician of note, Grace Banks, who everyone should check out.”

As we begin to wrap things up, Elliot speaks fondly of his current home town, South London, and it’s local music scene. “But I’m a bit of a hermit working on my own thing at the moment and I don’t really know what is happening around me. The Windmill is the local place where you are likely to see interesting music though. Listen to OD Davey, I think he’s somewhere around here and he’s great.”

Follow Exhauster on: Spotify // Twitter // Facebook // Instagram 

WORDS: RACHAEL CRABTREE (@ECCENTRIC_EEJIT)

 

 

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Jeremy Tuplin Interview

Interviews, Single, EP and Album Reviews, Uncategorized

Jeremy Tuplin Profle ShotThere’s a lot to be said for good humour – and Somerset born singer-songwriter Jeremy Tuplin certainly hits the spot with a balance of poignant delivery on his latest single: ‘Long Hot Summer’.

Perhaps it’s the upbeat melody supporting his dark lyrics, but parallels can definitely be drawn with the legends, Belle and Sebastian.

Intrigued to learn more about the great initiative of partnering and sharing all proceeds of his latest single with the environmental charity; Friends of the Earth, we caught up with Jeremy to discover more.

Your new single hits on global warming, an issue that universally affects us, but in all reality, not enough of us are actively resolving – do you think many convince themselves almost into believing our damage to the planet is unrepairable and don’t consider beyond their lifetime? — What are your thoughts on the issue? 

I don’t see the downside in taking measures to be kind to the planet. No matter what school of thought you adopt on the issue – why take the risk in not being environmentally considerate? It doesn’t impinge on your freedoms as it’s a choice, but it will make you feel more connected to nature and therefore better about yourself. Seems ok to me. Plus Earth is by far the best planet out of all the planets we’ve come across. The idea of living on Mars might sound cool but the reality would be s**t. Kepler 452b could be ok, but that’s quite far away.

The charity you’re collaborating with: Friends of the Earth is a great initiative – how did this come about? — Do you work/volunteer with them or an Environmental charity? 

I think it’s a good thing to be a friend of Earth, and because the song touches on that in its own way I thought it would make me feel good about myself to donate some of the proceeds to that cause. All purchases of the track on Bandcamp will go to that.

Having a good sense of humour sure is an asset to life – your style of delivery, particularly on this track, has poignant humour — what books, films, plays or comedies do you enjoy? 

I like a lot of different stuff… a lot of absurdist humour of late, Toast Of London recently for example. Most things seem fairly absurd and ridiculous to me so I tend to be drawn to art that emphasises that. I’m reading The Bell Jar by Sylvia Plath at the moment and I like her style.

Would it be fair to say that space and science fuel your musical inspiration – so you watched a lot of space documentaries during the production of your debut album: ‘I Dreamt I Was An Astronaut’ — tell us more…

It’s fair to say that I went through a space phase when writing and recording that album. I guess with the new stuff I’m going through more of an Earth phase. I will definitely return to space at some point though, creatively speaking.

How has country and city life compared as a musician – do you ever find London is so saturated with music that it’s maybe difficult to gain enough support – how is the music scene back home in Somerset?

I’ve been living in London for coming up to 9 years I think, so my only experience of the music scene in Somerset was when I was just starting out at open mic nights and small folk clubs. Haven’t really played there since but I would like to – if any Somerset promoters want to book me then please get in touch. I play a lot of gigs in London though, there are loads of good venues and gig nights. Possibly true that people are more receptive and up for buying merch in other towns and on the continent, but London is still pretty great.

Jeremy Tuplin’s latest single, Long Hot Summer is out now and available on all platforms.

Join us at their next full band gig on 20th September at The Victoria, Dalston – a double headliner with Jemma Freeman & The Cosmic Something, full details here!

Jeremy TuplinWebsite // Twitter // Facebook // Spotify

WORDS: RACHAEL CRABTREE (@ECCENTRIC_EEJIT)

Hanging Valleys // Fortaleza Single Review

Single, EP and Album Reviews, Uncategorized
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Heart warming ambient trio, Hanging Valleys

There is something altogether calming and comforting about Hanging Valleys – one song lends itself to the next seamlessly. The London-based three-piece first caught our ear a little over a year ago at the beginning of their formation in 2016 and have since gone on to release a successful debut EP (10th March 2017) and attain an unprecedented 1.2 million streams on Spotify – that pools in fans of Bon Iver and Sigor Ros to James Vincent McMorrow, continues to grow.

Thom Byles, began as a solo artist but quickly realised the ambitious project at stake needed more than one musician and subsequently recruited Mike Phillips (guitar, vocals) and Alexis Meridol (beats, synthesiser) to produce his complete work of art.

Their choice of geographical reference follows through from their band name, Hanging Valleys (an erosional landform) to their style of playing, which in itself, mirrors nature; it is serene, delicate and enduring, swelling and shifting in it’s ambient patterns and a reassuring accompaniment to your minds path as you journey through day-to-day life.

Just as a river runs through Hanging Valleys, leading to a tremendous waterfall – the band’s music is a voyage that opens your mind to adventurous opportunities – you feel genuinely motivated to abandon plans and instead, go travelling – even it that means a long hike across dense woodland and the moors!

Fortaleza (or fortitude, as it translates from Spanish) is the first single to be lifted from Hanging Valleys’ forthcoming second EP. The song is about staying strong, weathering storms and having courage in the face of adversity. You cannot resist pairing their filmic sound with a moving picture of cliffs and costal plains – their layered harmonies surround you in a protective aura, just like the sun as it hits your closed eyes, instant warmth and positivity rivers through your veins.

Check out their accompanying video for their latest single released today (9th February 2018), below…live dates to follow!

HANGING VALLEYS // WEBSITE // TWITTER // FACEBOOK //

INSTAGRAM

WORDS: RACHAEL CRABTREE (@ECCENTRIC_EEJIT)

Field Studies // Listener // Single Review

Single, EP and Album Reviews, Uncategorized

Ahead of their eagerly anticipated follow-up EP, Art-Rock outfit, Field Studies, release new single: ‘Listener’. A track that explores a darker, though not previously unchartered territory, as hinted on first EP: Celestial. They exercise that quiet quality; distant, but suddenly heavy, atmospheric, then immediate. The unnerving echoed vocals of the chorus reach out, repeating that: “there’s someone there, in the dark” rising to a near but muffed scream. A sinister insight of what to expect from ‘Rainmaking’ released: 27/05/16.

 

Field Studies: Facebook // Twitter // YouTube

WORDS: RACHAEL CRABTREE (@ECCENTRIC_EEJIT)