Bazooka Zero Hits LP Review

Single, EP and Album Reviews, Uncategorized
Bazooka; Credit Sarah

Athens-based psychedelic punk outfit, Bazooka

Bazooka shook us up last year with their turbulent psychedelic EP: ‘Zougla’ (‘Jungle’ released Nov 2017) – in case you missed it, here’s our review. Their chaotic and acidic punk 4-track EP has now given birth to this completely face-melting full-length record, Zero Hits.

Returning this January with their 3rd LP – and for the month that’s in it, it’s been the most well timed irreverent psych-punk record to lift those ominous clouds.

Their lead single: ‘Fylaki’ (‘Prison’) in the bands words: “..was born from the thought that we are seemingly free, yet we are locked up in our own mental cell. You know, we create our personal hell and we don’t even know it. And some of us even believe that it’s a place of love and happiness.”

The Athens based four-piece have irrepressible passion, and you cannot help but feed off their contagious energy. Singing entirely in their Greek mother tongue is of no barrier, sonically, you will appreciate just how ambitious and different their sound is; driving surf-rock crossed with new wave and laced with fuzzy guitar riffs. It would certainly find a fitting home on BBC Radio 6 Music – a refreshing spin for Steve Lamacq’s Roundtable we reckon!

Bazooka LP Artwork; George Chandrinos.jpeg

Bazooka LP artwork credit; George Chandrinos

Zero Hits (released via Inner Ear Records) is out now: Inner Ear RecordsiTunesBandCamp

Follow Bazooka on: Facebook // Twitter // Instagram

Words: Rachael Crabtree (@eccentric_eejit)

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The Noise Figures // Telepath Review

Single, EP and Album Reviews, Uncategorized

The Noise Figures; Photo Credit; Fotis Milionis.jpg

If you’re chasing down a new Psych-Blues band to add to your playlist then we recommend checking out The Noise Figures and their slow burning offering of a third album: ‘Telepath’. The Greek two-piece, George Nikas (vocals, drums) and Stamos Bamparis (guitar, vocals) combine intoxicating guitar riffs and tribal drumming that dapples in the bluesy grittiness, echoing the brilliance of Drenge.

You are destined to enjoy their fuzzy vertigo running through the album which has paved way to a heavier album than their previous two – their manically satisfying guitar work, shifting in its patterns are best highlighted on tracks: Telepath, Taste Like Time and Lethargy. Like me, you might even detect a slight 90’s edge, circa Madchester, running through some of their tracks, at times vocally (though I might be alone on this one) I definitely detect a reminiscence of The Charlatans.

All the while, you will be quickly taken in by the dark and primitive spirit of their raw guitar and drums, sitting somewhere between The Black Angels and BRMC, giving this two-piece not only an addictive edge but essentially flagging The Noise Figures as a band to watch!

The Athens-based rock duo released their third album on March 2nd via Inner Ear Records – tune into Telepath below…

THE NOISE FIGURES: WEBSITE // FACEBOOK// TWITTER //

INSTAGRAM

WORDS: RACHAEL CRABTREE (@ECCENTRIC_EEJIT)

Tango With Lions // The Light // Album Review

Single, EP and Album Reviews, Uncategorized

THE LIGHT_DIGITAL; Tango With Lions; copyright

Nailing the mystical, and often minimal, is the Greek Singer-Songwriter, Katerina Papachristou and her band, Tango With Lions. Since we first heard their recent single: ‘Proof of Desire’ (lifted from their latest album: ‘The Light’) we were eagerly anticipating the records release. One of Greece’s biggest indie/folk bands mark their return with this third studio album, and on first listen the variation of styles strikes you as altogether madly intriguing and absolutely one of a kind.

The sparseness intensifies the records nine short stories of introspection. Darkness and light coexist steadily, sometimes more excessively than the other, better still, they are never alone, and that, is what gives it beauty – the acceptance of this reflects life itself, opposites cannot live without one another and nor can a decent record! By recognising the value and power of each other (dark and light) the listener attunes, and subsequently, bonds more closely to the music.

Tango With Lions; Press Shot; Eftychia Vlachou, copyright

Katerina Papachristou, the master-mind behind, Tango With Lions. Photographer: Eftychia Vlachou

Nine songs, each different in style, reaffirm that Tango With Lions’ music hinges on atmosphere, created through imagery and poetry. Tipping slowly on the albums eerily unsettling second track: ‘Proof of Desire’ and fully realised on the penultimate track, ‘The Go-Betweens’ is the symmetry with PJ Harvey – similarities lie within the eccentric art form of creating short stories through song craft and experimental instrumentalism.

The timing of this records release could not have arrived at a more apt time either – the light of New Year light nearly shadowed by the mid-winter bleakness until the irrepressible enthusiasm for the year ahead conquers all doubts of uncertainty: “…hush now between Winter and Spring…” Papachristou whispers on the penultimate track.

Concluding, with what sounds like, a cassette of French poetry playing alongside an accordion busker, alluring in it’s warnings and wisdom – this record grows on you as your intrigue unconsciously hits replay.

‘The Light’ was released via Inner Ear Records on 19th January 2018.

Tango With Lions // Website // Facebook // Twitter // Instagram

Words: RACHAEL CRABTREE (@ECCENTRIC_EEJIT)